Vicky Farewell on her new album ‘Give A Rattling’ : NPR

NPR’s Ayesha Rascoe talks to Vicky Farewell about her new album “Give A Rattling” and turning bed room, bubble-gum pop into brutally sincere reflections on relationships.


Vicky Farewell found the piano as a baby attending church companies in Orange County, Calif., the place she grew up. She studied classical music for 10 years. However when it got here to writing her personal materials, she went in a really completely different course.


VICKY FAREWELL: (Singing) What can I say? We had our enjoyable, what little was left of the run.

RASCOE: Her first album, “Candy Firm,” established her as a rising singer-songwriter on the indie pop scene. She’s out now together with her second file, “Give A Rattling.”.


VICKY FAREWELL: (Singing) Since you flip me on from morning into the daybreak. You give it to me all evening lengthy.

RASCOE: Vicky Farewell, often known as Vicky Nguyen, joins us now from her residence in southern California. Vicky Farewell, welcome to this system.

VICKY FAREWELL: Hello. Thanks for having me.

RASCOE: So, I’ve to say once I first heard this album, and particularly that track that we simply heard,”Tern Me On,” it made me take into consideration some R&B from the ’80s. So Luther Vandross, “Do not Need To Be A Idiot In Love” (ph), you already know, perhaps some Lionel Richie, like a few of these little upbeat tunes. It is a very dreamy, type of sensuous sound. Am I on monitor with that? Are these a few of your inspirations?

VICKY FAREWELL: Oh, completely – soul music within the ’90s, ’80s, ’70s, the final 40 years (laughter). I grew up listening to lots of soul music, and the sound actually positively attracts from, like, what I used to be listening to on the radio. So I believe I used to be attempting to, like, retain that by some means, however then additionally make it my very own and to not, like, fully take from that period. However how do I carry it to the current and make it my very own sound?

RASCOE: You fell in love with music in church, which can also be the way in which lots of soul singers began out.


RASCOE: What kind of church did your loved ones go to? And the way did that result in a profession in music?

VICKY FAREWELL: I am Vietnamese American, so I went to a Vietnamese Catholic church. Not fairly soul music – it is like conventional Vietnamese music. And what drew me to it was simply the stay side of it as a result of we had a church pianist who was unbelievable. And piano is, like, my important instrument, and it actually impressed me to get into music extra.

RASCOE: I learn lately that you simply got here throughout considered one of your previous keyboards, like a Yamaha SO8. When did you get that? And did you utilize it in “Give A Rattling”?

VICKY FAREWELL: Yeah, I used it throughout “Give A Rattling,” and if I did not use it, I used it to put in writing music on closely. It was my first synthesizer once I was, like, 16. And the sounds are very harking back to, like, Y2K period. I grew up throughout that point, too, you already know? So I am like, how do I exploit this? And use these sounds, make it extra distinctive – make it recognizable, however distinctive.

RASCOE: I wished to play a little bit of “Textbook,” and I believe the Yamaha is on this one, too, proper?



VICKY FAREWELL: (Singing) I wish to see you once more. I wish to see you once more. I wish to see you once more. I wish to see you once more.

RASCOE: And let me ask you in regards to the lyrics since you do go from this chorus of, I wish to see you once more. However by the top of the track, you are like, I do not wish to see you once more. I believe that is one thing that we have all gone by. Inform us a bit about that type of transition that may occur in a single track.

VICKY FAREWELL: I believe I used to be simply being unhinged throughout this manufacturing of the track. Initially, I had began it as a result of I used to be writing, like, lots of music for sync, and…

RASCOE: For sync? I am sorry, I do not know what that’s. What’s that?

VICKY FAREWELL: Oh, music syncing, like, a tv present or one thing. Yeah.

RASCOE: Or a business or one thing.

VICKY FAREWELL: Yeah. They usually do not prefer it if you write one thing that is type of unfavorable (laughter). However I could not assist it. I used to be like, I actually wish to shift the narrative midway by the track. And I despatched it to my pub, they usually’re like, the track’s nice, however the second half just isn’t what we’re in search of.


VICKY FAREWELL: (Singing) What you set me by. I do not wish to see you once more. Do not wish to see you, do not wish to see you once more.

So I used to be like, properly, I am not budging. I believe it is humorous. You understand, I believe it is actually cool. After which afterward I used to be like, why do not I simply put it on my file (laughter)?

RASCOE: Yeah, completely. Listening to your voice, I stated it is type of like a Janet Jackson sound.


RASCOE: Proper? As a result of you have got, like a comfortable voice that you have developed over time. I am certain. We’ll play a bit of little bit of a track the place you are nearly whispering. It is known as “Semi Auto.”.


VICKY FAREWELL: (Singing) It isn’t too late to play your transfer. Do not be such [inaudible] a lot time to go it and make your transfer.

RASCOE: That is lovely. How did you arrive at that fashion of singing? And is it exhausting to maintain management over your voice at such a low quantity?

VICKY FAREWELL: To begin with, I actually respect you understanding that.

RASCOE: (Laughter).

VICKY FAREWELL: As a result of lots of people do not perceive that, like, we’re born with the voice we have now. I wasn’t born with an enormous voice. I used to be born with a small voice. The largest problem for me was to love, how do I exploit what I’ve? And so, sure, to reply your query, it is extraordinarily exhausting to manage your sound, not simply to remain in tune, however to help it, to have a pleasant tone, to let it develop and let it falter beneath your individual management. It is extraordinarily exhausting to do. It is one thing that I look as much as in Janet and different folks with small voices like that who know methods to management their sound. Folks do not perceive that. It is approach tougher to do.


VICKY FAREWELL: (Singing) Who’s going to like you, who’s going to like you want me?

RASCOE: That is Vicky Farewell, whose second album, “Give A Rattling,” has simply come out. Thanks a lot for becoming a member of us.

VICKY FAREWELL: Thanks for having me.


VICKY FAREWELL: (Singing)…Like me? Who’s going to carry you want me? Who’s going to like you…

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